FBF // Serendipitous Natural Light

One of the first projects Nissa and I worked on together as Page + Pixel was shooting the style photography for Amy Gibson’s Quilt Block Cookbook for Lucky Spool. It was a big project with loads of bird’s eye/layflat shots and Nissa and I wanted to add some variety to the images somehow. Susanne—publisher and editor for Lucky Spool—had a vision of a person holding up the quilt blocks so we went ahead with that cute concept.

It was one of those perfectly-overcast-but-not-too-overcast days and Nissa positioned us perpendicular to the floor-to-ceiling windows. This gave us some warm yet diffused autumn light. We were so excited by the natural shadow and depth that came through! Not only were we able to capture Amy’s impeccable fabric combinations, but the diffused side light allowed her beautiful block construction to be seen through the fabric. Perfect for this book full of block recipes!

Can’t go wrong when skill and serendipity are in sync.

What are some of your favorite serendipitous photography moments?

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Kristy

Quilt Block Cookbook
Style Photography: Page + Pixel
Publisher: Lucky Spool Media
Author: Amy Gibson

Photo Styling // The Surface Matters

Bird’s eye, layflats, still life….whatever you call them, these are photos that require a surface to be shot on. With the camera positioned just above the subject, the styling will rely on a more graphic look due to the lack of dimension that will come from the angle of the camera. As simple as these types of photos appear, they do require a fair amount of propping and styling. It can be quite fun to create interesting lines and juxtapositions within the photo composition, but when you are short on time or on a tight budget, giving some extra thought to the surface that you’re shooting on can elevate your photos without a ton of effort.

The following images were taken for Heidi Staples’ new book, Patchwork USA (Lucky Spool Media). We played with a lot of surfaces in the styling for this book in order to achieve a warm, nostalgic aesthetic. By swapping out the different surfaces, we were able to keep the styling minimal so that the projects took center stage.

Color Book // Shot on the reverse side of a quilt in order to give a warm, sweet feeling to the image.

The window light was perfect in one of the bedrooms of the home we were shooting in. In order for the shot to make sense near that gorgeous light, we laid down a quilt with the back side up so that the top design didn’t distract from the Color Book project. The result was a textured and colorful backdrop for the cloth books. The color and the pattern immediately indicate that this is a project for children.

Scout’s Honor Pencil Case // Shot on top of a vintage map.

A strong theme that runs throughout Patchwork USA is that of road trips. Heidi sent us tons of vintage maps and postcards to use in the photography and one of my favorite ways to use the maps was as a background surface. Laying out the map adds a wonderful graphic quality to the image and it helps carry the road trip theme. Best of all, it was so easy!

Curio Pocket // Shot on top of a vintage steamer trunk.

Nissa and I have a favorite piece of perfectly weathered wood. It has the best tone and texture and it is very tempting to use it in every photo…everything looks beautiful on it! But we want to keep our images feeling new and one-of-a-kind, so we decided to play around with shooting on this vintage steamer trunk that belonged to my Grandpa. We love it!! So much life and texture is added to the photo from simply placing the projects on the edge of this trunk and by utilizing the brass details. Simple and effective!

Beachcomber Drawstring Bag // Shot on a vinyl seat.

Serving multiple purposes, this vinyl seat was the perfect place to shoot this drawstring pouch. Indicating “road trip” as it is the bench seat inside a Shasta, adding an easy pop of color to the image, and creating some visual texture with the stitching on the seat, we loved using this surface as an easy way to tell a story.

While all of these projects would have looked great on our favorite weathered wood, the varied surfaces do more to tell the author’s story and really bring each of the projects to life.

What are some of your favorite surfaces to shoot on?

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Kristy

Patchwork USA
Book Design + Photography: Page + Pixel
Publisher: Lucky Spool Media
Author: Heidi Staples

Light.

Being successful at photography, no matter what you are shooting, is all a matter of light.

Learning to harness it is a lifelong pursuit. See it, read it, bounce it, make it, love it, hate it. Become it's keeper.

It doesn't matter what kind of camera you have, or what kind of gear you have. If you cannot harness light you cannot steadily make good photographs.

Even though I have been shooting for 10 years now, I regularly have my mind blown by something I didn't see before. It is one of my favorite things. Never ever stop watching, learning, trying.

Follow the light.

What are we all working on? Anyone want to talk about how good or bad light is being to them today?

PHOTO STYLING: More Can Be More When Propping

I am often drawn to clean, minimal designs. The elegance and thoughtfulness that comes with a perfectly composed page or room is calming and soothes my designer-soul. 

But sometimes I want more.

Sometimes I want to create a cozy, lived-in image and while it is possible to do that with monochromatic tones and white, airy spaces, it can be a lot of fun to play with color and texture!

In this photograph, the black and white pillow is the subject. I started off knowing that I was going to compose the shot in front of the floor-to-ceiling bookcase—a big departure from a white wall! Since the background is pretty chaotic and the pillow itself isn't exactly whispering "look at me", I just went for it. This is a case of More is More. I often find myself on shoots saying, "If we're going to do it, let's DO it." When you're styling with a More is More attitude, don't skimp! The image can come across as flat and uninspired. 

In that vein, I threw in a crazy red ikat pillow, introduced a chunky clay pot, kept the textured hanging pendant in the crop and I kept myself from styling the bookcases. Sometimes it's fun to see what comes without too much fussing. 

We want to see your attempts at More is More. Have you already shot something you're proud of? Are you thinking of trying something like this on your next shoot? Sound off in the comments! We want to hear from you. 

Oh, and about this photo? The styling is only half of what makes it a success. Come back next week: Nissa will be sharing her side of the story - on manipulating depth of focus through your camera settings for a perfectly-focused image. 

Kristy
DESIGN//STYLE